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A Lull + Deleted Scenes

Sat 28 Jan
A Lull + Deleted Scenes

A Lull + Deleted Scenes

Saturday, January 28th 6:30PM

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After countless more hours in practice spaces, basements and bedrooms, A Lull kept at it, and after over seventy-five songs and partial song ideas, something began to take shape. In May of 2010, A Lull released “Weapons For War/Spread It All Around,” a vinyl and digital single from its upcoming full-length record, Confetti.

Using a mixture of conventional and non-traditional recording techniques, A Lull employs anything and everything available to create beats, melodies, textures and layers of sound. The music is experimental in the ways that it takes form, but is accessible and captivating.

While writing and recording Confetti, A Lull has played extensively in its hometown of Chicago as well as around the Midwest and the rest of the country with a focus on the East Coast and most recently Austin, Texas for SXSW 2010.

A Lull plans to release Confetti later in 2010 and the band will continue to tour, with local dates throughout the summer and national dates scheduled in August.

What the Internet and others have been saying about A Lull:

“Chicago avant-pop sextet A Lull have a full-length scheduled to drop later this year; in the meantime, they’ve made a 7”, “Weapons For War/Spread It All Around”, available for free download over at their MySpace. The A-side features pounding, layered percussion and warm vocalizing.” Pitchfork



Deleted Scenes will release Young People’s Church of the Air on Sockets Records on CD (Sept. 6) and LP (Sept. 20). This second album builds on the “thoughtful existentialism and strange, drowsy downers” of their 2009 debut, Birdseed Shirt (Pitchfork, 8.0), pushing the band’s formidable rhythm section further, and exploring the possibility of hope.
Grabbing rhythmic feels from 80s pop, R&B, surf rock, dark funk, and Go-Go, Young People’s Church of the Air showcases Deleted Scenes discovering what it can do. Drummer Brian Hospital introduces the double-kick pedal to art rock with thoughtful drum arrangements. The lyrics find Daniel Scheuerman taking risks to explore themes of family, love, death and joy in a self-devouring poetic style. The album’s production is fuzzy and warped, inspired by the cassette warble of Southeast Asian psych-pop and the detuned stew of Elliott Smith’s final album, From a Basement on the Hill.
The songs began as fruity loops-based jams in Scheuerman’s basement studio, the Crab’s Claw, which were then introduced into the band environment, taking on a live identity over the course of 300 shows on tour. The album was finally recorded at the Garden Center in Hockessin, DE, with Nick Krill (the Spinto Band) and Birdseed Shirt producer L. Skell. It contains a mixture of studio sounds and home-recorded lo-fi noise.
The album title comes from a 1930s radio-church hymnal Scheuerman found in an old piano bench, and evokes the elusive and sometimes illusory nature of hope.
The first single from the album, indie club anthem “Bedbedbedbedbed” was released on July 5 in 12″ 45 RPM format.
Deleted Scenes is based in Washington, DC. They are Daniel Scheuerman (guitar, vocals), Matt Dowling (bass, keyboards), Dominic Campanaro (guitar, keyboards, samples), and Brian Hospital (drums), with guitar playing by Chris Scheffey on tracks 1, 6, and 11. They have shared the stage with Cursive, Wild Nothing, Abe Vigoda, Black Kids, The Antlers, Medications, Matt and Kim, and others. They have played SXSW, CMJ, and Pop Montreal.