($15-$25 tickets | 6:30pm & 8:30pm shows) Celebrated vocalist Liz Cracchiolo returns to the Century Room for a wonderful winter wondershow! Liz and her band the Cool Yule Trio swing through classic holiday songs and fantastic jazz.

($25-$35 | 4:30pm & 6:30pm & 8:30pm shows) A Century Room holiday tradition, the CRJO will be playing Duke Ellington and Billy Strayhorn’s arrangement of The Nutcracker Suite plus other Ellington classics!

THE NUTCRACKER SUITE

The original cover for the 1960 big band album, “The Nutcracker Suite,” presented three people as the authors, all with equal font size and inhabiting the same line: “Ellington. Strayhorn. Tchaikovsky.” It was as if to announce a convergence of historical import, like a world summit or long-awaited crossover comic. This was not just any old Christmas album, that commercial phenomenon of repackaging holiday hits. By adapting Tchaikovsky’s score for jazz orchestra, Ellington was poised to both widen the appeal of his band and cement his status as a genius composer.

THE CENTURY ROOM JAZZ ORCHESTRA

Inspired by the Village Vanguard Jazz Orchestra, the 17-piece CRJO performs classic big band repertoire every Monday night at the Century Room! The CRJO is an intergenerational big band that features professional musicians, educators and students performing together.

($15-$25 tickets | 4:30pm & 6:30pm & 8:30pm shows) Angelo Versace, Scott Black and Arthur Vint play Vince Guaraldi Trio’s much beloved “A Charlie Brown Christmas” along with a selection of other Vince Guaraldi compositions.

The classic album had a profound impact on jazz and pop culture by introducing a unique blend of jazz and Christmas music to a wider audience. Released in 1965, it helped popularize jazz among mainstream listeners and became synonymous with the holiday season. Guaraldi’s compositions, particularly “Linus and Lucy,” remain enduring classics.

($15-$25 tickets | 2:30 & 4:30pm shows) Angelo Versace, Scott Black and Arthur Vint play Vince Guaraldi Trio’s much beloved “A Charlie Brown Christmas” along with a selection of other Vince Guaraldi compositions.

The classic album had a profound impact on jazz and pop culture by introducing a unique blend of jazz and Christmas music to a wider audience. Released in 1965, it helped popularize jazz among mainstream listeners and became synonymous with the holiday season. Guaraldi’s compositions, particularly “Linus and Lucy,” remain enduring classics.

($25-$35 | 4:30pm & 6:30pm & 8:30pm shows) A Century Room holiday tradition, the CRJO will be playing Duke Ellington and Billy Strayhorn’s arrangement of The Nutcracker Suite plus other Ellington classics!

THE NUTCRACKER SUITE

The original cover for the 1960 big band album, “The Nutcracker Suite,” presented three people as the authors, all with equal font size and inhabiting the same line: “Ellington. Strayhorn. Tchaikovsky.” It was as if to announce a convergence of historical import, like a world summit or long-awaited crossover comic. This was not just any old Christmas album, that commercial phenomenon of repackaging holiday hits. By adapting Tchaikovsky’s score for jazz orchestra, Ellington was poised to both widen the appeal of his band and cement his status as a genius composer.

THE CENTURY ROOM JAZZ ORCHESTRA

Inspired by the Village Vanguard Jazz Orchestra, the 17-piece CRJO performs classic big band repertoire every Monday night at the Century Room! The CRJO is an intergenerational big band that features professional musicians, educators and students performing together.

($20-$30 tickets | 6:30pm & 8:30pm shows) The trio of Piano/Bass/Drums is a much-celebrated format in the world of jazz The Ed Friedland trio featuring Peter Saxe on piano, and Arthur Vint on drums pays homage to two of the greatest classic trios of all time. Show one is a tribute to the Oscar Peterson Trio, while show two will focus on the music of the Bill Evans Trio.

ED FRIEDLAND

Since 1978, Ed Friedland has managed several fulfilling careers in music, often simultaneously. As a performing bassist, his experience ranges from backing jazz giants to country legend. As an educator, Ed was a member of the Berklee Bass Department (1984-6), Boston College music faculty, Arizona State University jazz faculty, National Guitar Workshop Bass Summit instructor, a clinician for Carvin guitars (now Keisel), Hal Leonard, and ran his own School Of Bass workshops. Ed has been teaching privately for over 40 years.

($45-$65 | 9pm & 11:30pm shows) Imagine a New Year’s Eve in Paris sometime in the early 20th Century, the city sparkling like a glass of champagne. The soundtrack to the party changes from decade to decade: in the 1920s it would have been scored by American-expat Cole Porter, while the 1930s would feature the sound of Django Reinhardt and his Hot Club of France. In the 1940s, the voice of Edith Piaf would echo through the City of Light, with the remembrance of things past.

This New Year’s Eve, the Century Room brings you all these magical eras with “Midnight In Paris”, featuring the chanson of Katherine Byrnes and Paris native Naim Amor, accompanied by the Jazz Manouche of the Hot Club of Tucson. Guests can choose from two shows, each with its own champagne toast, and create a memory to last a lifetime – an affair to remember as we dance forward again into the future together. Themed food and drink offerings will accompany the amazing music. The Century Room – time travel at it’s best!

The 9pm show will have a complimentary “East Coast Toast” at 10pm. The 11:30pm show will have a complimentary toast at midnight.

Katherine Byrnes (vocals) Naim Amor (vocals & guitar) Matt Mitchell (guitar) Nick Coventry (violin) Marco Rosano (clarinet, saxophone, accordion) Evan Dain (bass) Arthur Vint (drums)

($20-$30 | 6:30pm & 8:30pm shows) Grammy award-winning saxophonist, band leader and educator Danny Janklow brings his Elevation Band to the Century Room as they explore the music of the legendary John Coltrane.

Jonathan Pinson – drums

Luca Alemanno – bass

Dennis Hamm – piano

Katherine Ella Wood – vocals

Danny Janklow – saxophones, flute

DANNY JANKLOW

Danny Janklow continues to be an exciting musical voice, and one of the most in-demand saxophonists and composers, of his generation. He not only has a deep connection to the music and its legacy, he has something profound to contribute to its future. Danny performs with uncompromising courage, experimental innovation, and provocative imagination while lending the language of Jazz to the grooves of R&B, Funk, and Indie Soul. Danny’s music is searingly personal, and grounded in calls for equal rights, justice, and love.

In early 2021, Danny celebrated a Grammy win for his integral performance on “Monk’estra plays John Beasley.” He has shared the stage with Stevie Wonder, Aloe Blacc, Wayne Shorter, Johnny Mandel, Burt Bacharach, & Herbie Hancock.

($30-$40 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents Armen Donelian & Dominique Eade!

**ARMEN DONELIAN**

Since 1975, pianist, composer and Fulbright Scholar Armen Donelian has distinguished himself In 25 countries as a featured solo pianist, band leader, educator and with Jazz legends including Sonny Rollins. Donelian’s distinctive music blends diverse influences from his Armenian origin, his Classical technique and his association with many of the biggest names in Jazz. And according to Metronom magazine, “He achieves this fusion in such a natural way that one can tell it’s a master’s work.” armendonelian.com

**DOMINIQUE EADE**

Dominique Eade is an extraordinary vocalist, composer, improviser and RCA recording artist. Poetic and passionate, Dominique blends musical virtuosity with a songwriter’s straightforward emotional sensibility. She creates music that has garnered critical acclaim, earned the admiration of her peers, inspired audiences and served as a creative signpost for generations of singers. dominiqueeade.com

($40-$50 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents Matthew Whitaker Organ Trio!

Matthew’s musical journey began at age 3 with a keyboard gift from his grandfather. He’s now an artist, captivating audiences globally and appearing on notable T.V. shows like Showtime at the Apollo, the Today Show, Ellen, and a feature on 60 Minutes.

Matthew is a versatile artist, starring, producing, and scoring the All-Arts Emmy-nominated documentary “About Tomorrow” and scoring the film “Starkeisha,” which is currently streaming on Hulu. He also appeared in and contributed music to the Emmy-winning Apple T.V. commercial “The Greatest.” Matthew made his musical director debut for the award winning “Billy Strayhorn: Something to Live For.” A musical on the life of pianist and composer Billy Strayhorn, which premiered in Pittsburgh, PA, in the fall of 2023. He’s had guest soloist appearances with orchestras and symphonies including Aspen Chamber Symphony, under the baton of guest conductor, Marin Alsop, and the National Arts Centre Orchestra in Ottawa, CN, Alexander Shelley, conductor. He also composed a song for the 82-piece Bulgarian Symphony Orchestra, in Sofia, Bulgaria, which was included in the aforementioned All-Arts documentary, “About Tomorrow.”

Beyond music, Matthew advocates for persons with disabilities, consulting with companies to improve accessibility features.

He is a three-time ASCAP Foundation Herb Alpert Young Jazz Composers Award winner, with three studio albums as a leader; “Outta The Box,” “Now HearThis,” and “Connections.” His fourth recording, “On Their Shoulders: An Organ Tribute,” an homage to some of Matthew’s heroes on the instrument, will debut in early Summer 2024. Matthew has collaborated with industry greats like bassist, composer, and producer Derrick Hodge; pianist, composer, and musical director Ray Chew; pianist, multiple Grammy-award winning composer, vocalist, and band leader Jon Batiste; Grammy-award winning bassist Christian McBride; and NEA Jazz Master, violinist Regina Carter.

($30-$40 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents Miki Yamanaka!

**MIKI YAMANAKA**

34-year old Japanese-born pianist Miki Yamanaka has called New York City home since 2012 and in the past decade has wasted no time establishing herself as one of the leading personalities of her generation on the piano and beyond. Critics laud her “light, expressive touch and solidly crafted, mainstream approach” – Mike Jurkovic (All About Jazz), while audiences delight in not only her playing, but her vibrant personality as well. Yamanaka has gained international recognition from her albums as a leader; her most recent and most celebrated release, “Shades Of Rainbow” (Cellar Music), features Jazz masters Mark Turner and her NYC rhythm section, Tyrone Allen and Jimmy Macbride. Additionally, Miki has emerged as a leader of the “New York Scene” via her notable residencies at mainstay West Village sister clubs Smalls and Mezzrow. During the pandemic, she developed a successful in-home live-streaming weekly concert series cleverly titled “Miki’s Mood” where she features a veritable who’s who of NYC talent (including her husband and frequent collaborator – drummer Jimmy Macbride). The series showcases her vast knowledge of Jazz standards and tunes, often featuring themed offerings of various composers from both the Great American Songbook as well as iconic Jazz composers.

As a sideman, Yamanaka has worked with Jazz luminaries such as alto saxophonist Antonio Hart who posits “Miki will be recognized as one of the most exceptional artists of her generation, as she is already one of the most talented and dedicated musicians from Japan.” Other notable bands she currently works in include the Harish Raghavan Quintet and The Mingus Bigband. One of her most respected mentors on piano and organ (Yamanaka also performs on organ frequently), Larry Goldings, once mused, “If only I could have Miki Yamanaka comp behind me!” – a compliment of the highest order from one master pianist to another. She has a myriad of glowing reviews from her recorded work and the iconic Downbeat Jazz magazine has repeatedly awarded her albums high marks.

($30-$40 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents Dennis Rowland with the 17-piecve CR Jazz Orchestra!

**DENNIS ROWLAND**

Dennis Rowland is beloved by jazz devotees and theatergoers around the globe. The Detroit native and Phoenix, Arizona resident was the voice of the world-renowned Count Basie Orchestra between 1977 and 1984, where he shared the stage with Ella Fitzgerald, Sarah Vaughan, Joe Williams and Tony Bennett. He is also featured on the Basie Band’s Grammy award-winning record “On the Road”. An electrifying live performer, Rowland has performed at major jazz festivals, with the Lincoln Center Jazz Orchestra, and at Arizona’s jazz clubs and performing arts venues.

**THE CENTURY ROOM JAZZ ORCHESTRA**

Inspired by the Village Vanguard Jazz Orchestra, the 17-piece CRJO performs classic big band repertoire every Monday night at the Century Room. The CRJO is an intergenerational band and features a mix of professionals, educators, and students who all share a love of big band music. Expect selectins from the Count Basie Orchestra, Duke Ellington Orchestra, the Thad Jones/Mel Louis Jazz Orchestra and much more.

($35-$45 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents Stephane Wrembel and his band!

**STEPHANE WREMBEL**

Stephane Wrembel is quite simply one of the finest guitar players in the world. The breadth and range of his playing and compositions are unmatched. This prolific musician, composer, educator, and musical director has released a steady stream of music since 2002 truly making his mark as one of the most original guitar voices in contemporary music.

His live performance is unparallel. He has headlined Jazz at Lincoln Center, Carnegie Hall, The Town Hall in NYC and The Lyon Opera House in France. He has toured and/or shared stages with master violinist Mark O’Connor, Sam Bush, Stochelo Rosenberg, Esperanza Spalding, and Al Di Meola. He has dazzled audiences at Montreal Jazz Festival, Rochester International Jazz Festival, Django Reinhardt Festival in France, Ellnora Guitar Festival, Caramoor Jazz Festival and many others. He has toured Canada, France, Israel, UK, India and Nigeria.

Born in Paris and raised in Fontainebleau, the home of Impressionism and Django Reinhardt, Wrembel first studied classical piano, beginning at the age of four. But in his mid-teens, he discovered that he had an affinity for guitar. As a big fan of Pink Floyd, he “spent hours learning David Gilmour’s style,” he said. “So I had a classical background, a passion for rock music, and then I found out about Django. I fell in love with the very strong impressionist feel in his music.”

Reinhardt, long regarded as one of the most influential musicians and composers of all time, was a Sinti (a Roma group from Western Europe). Wrembel immersed himself in Sinti culture, spending “six, seven years going to the camps. I started learning the atmosphere of what it really means to play Sinti-style guitar. I learned from the masters such as Angelo Debarre and Serge Krief. That’s how you learn this music because it is specific to a culture. Music is not only the notes. Without the culture, something is missing.”

($25-$35 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents New Jazz Underground!

**NEW JAZZ UNDERGROUND**

New Jazz Underground , an American trio, have been described as “an innovative and ultra creative collective striving to establish themselves as a defining voice for the genre of Jazz and beyond”. Their music signals a merging of traditional sensibilities in Jazz with the modern influence of swing, hip-hop, house/afro-beats, and afro-cuban music. Listeners were introduced to the trio’s undeniably fresh sound through viral videos of the band performing in their living room. Millions viewed videos such as: “they can hate but we still swingin’”, “f**k/s**t/c**t/jazz”, “sad boy jazz”, as well as many others featuring the band’s exuberant chemistry, effortless musicality, and raw ambition in sound.

Abdias Armenteros (Saxophonist/Composer, 25), Sebastian Rios (Bassist/Composer, 27), TJ Reddick (Drummer, 25) have each been lauded as some of Jazz’s most promising young artists in their own right. After meeting while students at The Juilliard School, the trio began playing in the parks of NYC during lock-down in 2020. They shortly began posting to their Youtube channel that has since grown to over 85k+ subscribers. Releases such as “MF Doom Suite”, “Harlem to Havana”, and “cook/swing/work/relax” fully demonstrate the trio’s reverence towards Jazz’s icons, yet still contend in a vision to establish their own voice in the expression of new sounds that transcend genre lines.

New Jazz Underground is the 2023 DCJazzPrix™ Winner. Rios is a 2024 ASCAP Herb Alpert Young Jazz Composer Award Winner. Both Reddick (BM’ 20) and Armenteros (MM’ 22) are Juillard School Graduates. Armenteros is the youngest member of the Jazz at Lincoln Center Orchestra with Wynton Marsalis. Reddick and Rios have played as sidemen for the likes of Jon Batiste, Sullivan Fortner, Emmet Cohen, and ELEW, among many more. Rios is a long-time student of the legendary bassist, Ron Carter.

($30-$40 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents Arcoiris Sandoval Sonic Asylum Trio!

**ARCOIRIS SANDOVAL**

Arcoiris Sandoval is a jazz pianist, composer and Fulbright award recipient currently residing in New York City originally from Tucson, Arizona. She leads her own trio and quintet project called Sonic Asylum and is the Co-Director of an award winning multimedia orchestra called The D.O.M.E. Experience along with bassist Mimi Jones which aims to raise environmental and social awareness through the integration of orchestral composition, choreography and cinematography. She toured, recorded and was the MD for acclaimed vocalist Allan Harris for over five years and performs occasionally with The Mingus Big Band. She has written, conducted and performed string arrangements with vocalist Tammy McCann at Lincoln Center which were also performed at the Music Institute of Chicago. In 2022, she was the keyboardist for an orchestral tribute to The Notorious B.I.G. at David Geffen Hall in Lincoln Center.

She obtained her Master’s degree in jazz piano performance from the Manhattan School of Music, and has won 2013 and 2015 ASCAP young jazz composer awards in addition to being a semifinalist at in the Montreux Solo Jazz Piano competition in 2012, a participant in the Mary Lou Williams Festival as well as the Betty Carter Jazz Ahead program and the Metropole Orkest Arrangers Workshop directed by Vince Mendoza featuring guest artist Richard Bona. She was also a finalist at the inaugural Ellis Marsalis Jazz Piano Competition in summer 2018. One of her arrangements was performed by the Metropole Orkest at the 2016 BBC Proms tribute to Quincy Jones. She has also performed at major festivals throughout the world including Umbria Jazz Festival with Allan Harris, NYC Jazz Piano Festival, Vermont Jazz Center Solo Piano Festival, Tucson Jazz Festival where she performed with legendary jazz drummer Jimmy Cobb in 2015 and in 2017 she opened for Tower of Power with Lonnie Plaxico, as well as Telluride Jazz and many others.

In 2018, she released her debut Sonic Asylum Trio album entitled “First Voyage” featuring Marty Kenney on bass and Allan Mednard on drums which won a Global Music Award. Her Sonic Asylum trio and quintet project has performed at NYC Winter Jazzfest in 2024, the Kennedy Center, Vermont Jazz Emerging Artist festival and she won a Chamber Music America Performance Plus grant for this ensemble to work with Billy Childs. Her original composition “Journey to Agartha” is now published in Terri Lyne Carrington’s compilation called “New Standards, 101 Lead Sheets by Women Composers”.

**SONIC ASYLUM**

​Arcoiris Sandoval began her Sonic Asylum project in 2016 performing for the Milt Hinton jazz festival held at Baruch College in Manhattan. It was an all star quintet featuring Jaleel Shaw, Mark Turner, Nate Smith and Mimi Jones performing her original music. Since then, Sonic Asylum has performed at the Kennedy Center, Vermont Jazz Festival, and regularly around NYC venues as a trio, quartet and quintet. She has held a Sonic Asylum trio residency with Marty Kenney on bass and Kenneth Salters on drums at Zinc Bar since 2022. Her debut trio album First Voyage featuring Marty Kenney on bass and Allan Mednard on drums won a Global Music Award in 2018 and her Sonic Asylum quintet recently received a Chamber Music America Performance Plus grant in 2021 to work with Billy Childs. Her original composition “Journey to Agartha” is now published in Terri Lyne Carrington’s compilation called “New Standards, 101 Lead Sheets by Women Composers”. Her trio was recently a featured artist at NY Winter Jazzfest for 2024.

($35-$45 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents Caity Gyorgy!

**CAITY GYORGY**

Caity Gyorgy (pronounced George) is a 2 time JUNO award winning Canadian vocalist known for singing bebop and swing music. She has performed at jazz clubs and festivals across Canada, Mexico, Japan and the USA and has worked and recorded with incredible musicians including Christine Jensen, Pat LaBarbera, Jocelyn Gould, Ira Coleman, Bryn Roberts and Joe LaBarbera, to name a few.

In addition to being a performer, Caity is an avid writer and composes songs in the style of the Great American Songbook. Her compositions have been sung by other vocalists around the world, and have won multiple awards including the Grand Prize in the jazz category of the 2021 John Lennon Songwriting Contest. She is also a sought after clinician and is currently on faculty as a vocal jazz instructor at the Yukon Summer Music Camp in Whitehorse, Yukon and the Interprovincial Music Camp in McKellar, Ontario.

She is currently signed to Brooklyn label La Reserve Records and has released several albums of original and standard music with them including her two JUNO award winning albums “Now Pronouncing” and “Featuring” and her JUNO nominated album with pianist Mark Limacher titled “You’re Alike, You Two”.

Her upcoming album “Hello! How Are You?” features Caity accompanied by her regular piano trio and will be released on August 9th, 2024.

($40-$50 tickets | 6:30pm & 8:30pm shows) Tucson Jazz Festival presents Lewis Nash Power Trio with Bill Easley!

**LEWIS NASH**

“Rhythm Is My Business” is the title of his 1989 debut recording as a bandleader, and legendary drummer Lewis Nash is all about the business of keeping rhythm.

Universally recognized as one of the great drummers in jazz history, his illustrious career now spans over four decades. Nash is one of jazz’s most recorded musicians, appearing on over 500 recordings including 10 Grammy winners and numerous Grammy nominees.

In fact, Nash has the distinction of being the only musician in jazz history featured on the winners in both the “Best Jazz Vocal” and “Best Jazz Instrumental” album categories in two separate years: the 2004 Grammys with Nancy Wilson and McCoy Tyner, and again in 2010 with Dee Dee Bridgewater and James Moody.

A native of Phoenix, Arizona, Lewis arrived in New York City in 1981 at the age of 22 and first gained international recognition as a member of vocalist Betty Carter’s trio. This was a pivotal time in his development, as he traveled the world for nearly 4 years with Carter and had the opportunity to meet and engage with many of his musical peers and predecessors. In the years to follow, Nash toured, recorded and performed with many of jazz’s most celebrated icons, and his resume reads like a “who’s who” of jazz royalty. These jazz legends include: Oscar Peterson, Dizzy Gillespie, JJ Johnson, Sonny Rollins, Tommy Flanagan, Sonny Stitt, Clark Terry, Stan Getz, Benny Golson, Art Farmer, Gerry Mulligan, Hank Jones, Horace Silver, McCoy Tyner, Ray Brown, Milt Jackson, Jimmy Heath, Randy Weston, Cedar Walton, Ron Carter, Wynton and Branford Marsalis, and many, many more!

**BILL EASLEY**

Bill Easley has had a diversified career as a professional musician. He joined the musicians union, Local 115 in 1959. 2024 marks the 65th year of his professional career. Bill represents the fourth generation of a family dedicated to music. Bill started playing professionally with his parents at the age of thirteen. The Bob Easley Combo played country clubs, dances, and night clubs in and around his hometown of Olean, NY. This early experience gave him the foundation on which to build a long and rewarding career. He moved to New York City in September of 1964. He was a part time student at the Julliard School of Music while getting his feet wet in the uptown Jazz Scene. The U.S. Draft Board had other plans and Bill did his military service with the 9th Army Band in Fairbanks, Alaska.

Easley had traveling and recording experiences with such notables as: George Benson, Ruth Brown, Isaac Hayes, Jimmy Smith, Jimmy McGriff, Bobby Short, Louie Bellson, Wynton Marsalis, Nicholas Payton, Charles McPherson, James Williams, Sir Roland Hanna, Earl May, Illinois Jacquett, Ron Carter, Frank Foster, Mercer Ellington, Warren Vache, Panama Francis, Grady Tate and many more. In addition to his extensive discography as a sideman, he also has seven recordings as a leader: Wind Inventions, First Call, Easley Said, Business Man’s Bounce, Hearing Voices, Love Stories, and Diversitonic. His arsenal of woodwind instruments includes: Tenor, Alto and Soprano Saxophones, Clarinet and Bass Clarinet, Flute and Alto Flute and piccolo.

($25-$35 | 6:30pm show) In one of Tucson’s most intimate venues, experience the rawness and authenticity flamenco has to offer on the Century Room Stage!

***Angelina Ramirez*** is a flamenco movement artist and teaching artist based in Tucson, Arizona. Her work explores queer, Latinx identity in traditional flamenco dance and focuses on arts and healing, particularly for elders and autistic individuals. She promotes accessibility, fights ableism and racism, and curates the Traditional and Ethnic Dance Festival for the Southwest Folklife Alliance.

***Misael Barraza Diaz*** is a distinguished Mexican guitarist who graduated with honors from the Master in Guitar Alicante and obtained a second Master’s degree from the University of Arizona. He is currently pursuing a Doctor of Musical Arts and studies under renowned artists such as David Russell, Sergio Assad, and Odair Assad.

With Jason Martinez (cajon) Olivia Rojas (cante)

($25-$35 | 6:30pm show) In one of Tucson’s most intimate venues, experience the rawness and authenticity flamenco has to offer on the Century Room Stage!

***Angelina Ramirez*** is a flamenco movement artist and teaching artist based in Tucson, Arizona. Her work explores queer, Latinx identity in traditional flamenco dance and focuses on arts and healing, particularly for elders and autistic individuals. She promotes accessibility, fights ableism and racism, and curates the Traditional and Ethnic Dance Festival for the Southwest Folklife Alliance.

***Misael Barraza Diaz*** is a distinguished Mexican guitarist who graduated with honors from the Master in Guitar Alicante and obtained a second Master’s degree from the University of Arizona. He is currently pursuing a Doctor of Musical Arts and studies under renowned artists such as David Russell, Sergio Assad, and Odair Assad.

With Jason Martinez (cajon) Olivia Rojas (cante)

($35-$45 | 4:30pm & 6:30pm shows) The Century Room is very excited to present legendary jazz group The Bad Plus!

The Bad Plus

The Bad Plus are a band known for their originality, creative vision, and refusal to conform. Over the past two decades, they have carved out a unique space in music, gaining critical acclaim and a global following for their adventurous spirit and rule-breaking approach. Known for their lively performances and genre-defying sound, the band has continuously pushed musical boundaries.

The group’s core members, Reid Anderson (bass) and Dave King (drums), are now leading the band into a new era without a pianist, teaming up with guitarist Ben Monder and tenor saxophonist Chris Speed. This change has brought a fresh sense of excitement and energy to their music, re-invigorating their sound and inspiring new creative possibilities. The Bad Plus remains dedicated to exploring a wide range of genres and techniques, always searching for ways to challenge and complement each other musically.

Their 18th album, “Complex Emotions” to be released via Mack Avenue Records on November 8th, reflects this ongoing evolution. As the band members themselves put it, “Evolution is necessary for life and creativity. We’ve evolved, but we’re still The Bad Plus.”

($25-$35 | 6:30pm show) In one of Tucson’s most intimate venues, experience the rawness and authenticity flamenco has to offer on the Century Room Stage!

***Angelina Ramirez*** is a flamenco movement artist and teaching artist based in Tucson, Arizona. Her work explores queer, Latinx identity in traditional flamenco dance and focuses on arts and healing, particularly for elders and autistic individuals. She promotes accessibility, fights ableism and racism, and curates the Traditional and Ethnic Dance Festival for the Southwest Folklife Alliance.

***Misael Barraza Diaz*** is a distinguished Mexican guitarist who graduated with honors from the Master in Guitar Alicante and obtained a second Master’s degree from the University of Arizona. He is currently pursuing a Doctor of Musical Arts and studies under renowned artists such as David Russell, Sergio Assad, and Odair Assad.

With Jason Martinez (cajon) Olivia Rojas (cante)

($25-$35 | 6:30pm show) In one of Tucson’s most intimate venues, experience the rawness and authenticity flamenco has to offer on the Century Room Stage!

***Angelina Ramirez*** is a flamenco movement artist and teaching artist based in Tucson, Arizona. Her work explores queer, Latinx identity in traditional flamenco dance and focuses on arts and healing, particularly for elders and autistic individuals. She promotes accessibility, fights ableism and racism, and curates the Traditional and Ethnic Dance Festival for the Southwest Folklife Alliance.

***Misael Barraza Diaz*** is a distinguished Mexican guitarist who graduated with honors from the Master in Guitar Alicante and obtained a second Master’s degree from the University of Arizona. He is currently pursuing a Doctor of Musical Arts and studies under renowned artists such as David Russell, Sergio Assad, and Odair Assad.

With Jason Martinez (cajon) Olivia Rojas (cante)